The Last Station movie review

The Last Station begs an interesting question. Is “religion” a life killing institution that seeks only to ‘take’ from people ? According to the film, in the latter years of his life, author Count Leo Tolstoy (he of the War and Peace and Anna Karenina fame) – played by Christopher Plummer - sought to implement a place of freedom and truth from his commune that was outside the traditional Orthodox religion of his time.
In a movie twist his followers, led by Chertkov (Paul Giamatti) seek to institutionalise their Tolstoyism which in turn only leads their followers to follow their puritanical rules and thus continue the cycle of one form of oppression. In one of the film’s best lines, when asked if they believe Tolstoy is the Christ, the answer back is “certainly a prophet : God speaks through him; I recognise the cadence in his voice.”

Zidane : a 21st Century Portrait movie review

What a curious contemplation Zidane : a 21st Century Portrait is.
As the title suggests, it is a portrait rather than a documentary where viewers are encouraged to sit and absorb this version of conceptual art from directors Douglas Gordon and Philippe Parreno.
Zinedine Zidane (‘Zizou’ to his fans) was for a time world football’s best player and played at marquee club, Real Madrid. His contempories and team mates included Ronaldo, Beckham and Raul. Zidane played in the midfield as the pivot player through whom most advances were coordinated. Like supremely gifted players of all codes, Zidane found space and time, never appearing to be under pressure and making passes with a grace that belies the effort.

In The Loop movie review

Sardonic is defined as bitterly sneering, ironic and sarcastic. This is an apt description of In The Loop, an Oscar Best Screenplay nominee.
The action centres around a hapless British minister in the lead up to the war in Iraq. Simon Foster (Tom Hollander) makes Jim Hacker from ‘Yes, Minister’ look highly capable and when under pressure in a radio interview, gives a view on the impending war with Iraq, sets up a chain of consequences that he is unable to control.

The Hurt Locker movie review

Kathryn Bigelow’s The Hurt Locker is a fine 5 out of 5 movie set in the ongoing conflict in Iraq and a worthy Best Picture winner.
The movie is constructed with a number of set pieces all involving the bomb disposal team, made up of Staff Sergeant James (Jeremy Renner), Sergeant Sanborn (Anthony Mackie) and Specialist Eldridge (Brian Geraghty). The team must defuse bombs that have been left amongst the refuse, locked in the back of cars, and attached to people’s bodies.
Each set piece is tense because we do not know if this action will be their last. The opening scene shows Staff Sergeant Thompson (Guy Pearce) pay the ultimate price and this undertone pervades the rest of the film.

MIFF : Little Sparrows movie review

Little Sparrows is the story of a mother’s love and how her children ultimately grow up to lead their own lives.
The mother, Susan (Nicola Bartlett) is dying from second stage cancer. She only has months to live and makes plans to “die in her own way.” Her estranged husband James (James Hagan) comes home to live as she organises one last Christmas to share with her 3 daughters and their families.
The action of the film centres around the lives of the three daughters and the decisions they make. The emotional highlights of the film is when each daughter has a conversation with their mother, alone, in the hospital ward. Susan gives each daughter some advice, her unconditional love and ultimately closure so that they can move on with the next stage of their lives.

MIFF : Blame movie review

It was a pleasure to attend the premiere of Australia’s newest film, Blame.
The Australian film industry has been accused over many years of green lighting films that “no one wants to see”. It is noteworthy therefore that a greater batch of Aussie films in recent years demonstrate that a film’s potential audience is considered at the concept stage and not as an afterthought. Likewise, the limitations of budget were addressed by having a small cast at a fixed location allowing for minimisation of cost without compromising the entertainment of the story, similar in that regard to last year’s Van Diemans Land.
Blame is part of a recent canon of young adult thriller/horror genre films. MIFF alumni The Loved Ones and Acolytes come immediately to mind.

MIFF : The Tree movie review

The Tree, a French / Australian co-production, tells the story of a family coming to terms with its grief, set in a rural Queensland town.
Husband Peter suffers a heart attack on his way home from a job behind the wheel of his ute. This occurs at the top of the drive of his family home which he shares with his wife Dawn (Charlotte Gainsbourg) and four children. The ute gently rolls down the hill and comes to rest by the trunk of the enormous Moreton Bay Fig that towers over the house.
The tree in a way is the spiritual centre for the family.

MIFF : Winter's Bone movie review

Similarly bleak in premise, Winter’s Bone likewise follows the story of a family without a father, while eldest daughter (17 year old) Ree Dolly (Jennifer Lawrence) cares for her ill mother and two younger siblings.
Set in the Ozark mountain range of Missouri, Ree is the embodiment of the capable and independent spirit of the best of its inhabitants. Her self reliance allows her to chop wood, hunt squirrel and deer, and make measured decisions regarding the well being of her family.

MIFF 2010 Begins!

My workmates are in a buzz. I’m off to see a film over lunchtime. It’s the first day of MIFF and the sun is shining.
Inside the ACMI theatre, the back four rows are filling up. Cineastes are settling in for their first taste of the new festival and everyone is relaxed and chatting amiably.
Japanese pop music plays from the speakers until the lights dim. The rows of school children that have been bussed in for the event, hush.
MIFF’s advertising campaign this year is “It’s a matter of taste” and the lead trailer is a back alley scrap between an oversized popcorn and choc-top. The children laugh appreciatively which probably means the campaign is a winner.
Settle back in the seat. Roll credits. Let the festival begin!