The White Ribbon movie review

Michael Haneke is, to my mind, the best example of an “artistic” film director working today. Always challenging, never populist and very accomplished are words that apply equally to his Best Foreign Language Oscar winner, The White Ribbon.
So what happens when the drive for a godly perfection becomes an all encompassing and extremist view point with no scope for reason, grace or latitude? Perhaps, reasons Haneke, you raise a generation that simultaneously feels morally superior and through fear acts maliciously towards others.
This film is set in a small German town during the summer before the outbreak of World War 1. The film is narrated by the school teacher, now an old man reflecting back on the events of that time. The first mysterious event concerns the doctor who is felled, while riding his horse, by a wire strung between a tree and gatepost. The culprit is not discovered and after a time, village life returns to normal.

The Last Station movie review

The Last Station begs an interesting question. Is “religion” a life killing institution that seeks only to ‘take’ from people ? According to the film, in the latter years of his life, author Count Leo Tolstoy (he of the War and Peace and Anna Karenina fame) – played by Christopher Plummer - sought to implement a place of freedom and truth from his commune that was outside the traditional Orthodox religion of his time.
In a movie twist his followers, led by Chertkov (Paul Giamatti) seek to institutionalise their Tolstoyism which in turn only leads their followers to follow their puritanical rules and thus continue the cycle of one form of oppression. In one of the film’s best lines, when asked if they believe Tolstoy is the Christ, the answer back is “certainly a prophet : God speaks through him; I recognise the cadence in his voice.”

In The Loop movie review

Sardonic is defined as bitterly sneering, ironic and sarcastic. This is an apt description of In The Loop, an Oscar Best Screenplay nominee.
The action centres around a hapless British minister in the lead up to the war in Iraq. Simon Foster (Tom Hollander) makes Jim Hacker from ‘Yes, Minister’ look highly capable and when under pressure in a radio interview, gives a view on the impending war with Iraq, sets up a chain of consequences that he is unable to control.

The Hurt Locker movie review

Kathryn Bigelow’s The Hurt Locker is a fine 5 out of 5 movie set in the ongoing conflict in Iraq and a worthy Best Picture winner.
The movie is constructed with a number of set pieces all involving the bomb disposal team, made up of Staff Sergeant James (Jeremy Renner), Sergeant Sanborn (Anthony Mackie) and Specialist Eldridge (Brian Geraghty). The team must defuse bombs that have been left amongst the refuse, locked in the back of cars, and attached to people’s bodies.
Each set piece is tense because we do not know if this action will be their last. The opening scene shows Staff Sergeant Thompson (Guy Pearce) pay the ultimate price and this undertone pervades the rest of the film.